Abstract

It has become axiomatic that theatre not only depends on conflict but also deploys it in its structure and function. Theatre is therefore working in familiar territory when it is utilized in a project dealing with conflict resolution and transformation, based on direct interaction with and intervention by the audience. In this paper Samuel Ayedime Kafewo examines one such experiment in which Boal's Forum Theatre techniques were used to address the issues of ethnic and religious intolerance in the northern region of Nigeria. The paper discusses how the process of choices, decisions, and consequences was used to explore the varying dimensions and manifestations of conflict with the members of the various communities, and how far this contributed to resolving the issues in conflict and led to positive lessons for those involved. The paper concludes by looking at some of the shortcomings of the experiment and suggests ways of strengthening future practice. Samuel Ayedime Kafewo teaches in the Department of Theatre and Performing Arts, Ahmadu Bello University, Zaria, Nigeria.

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