The rhetorical dimension of the sanctity of the Hijab in ancient Iraqi art

Abstract

We all know for certain that the hijab plays a role in preserving the safety of society and its correct growth. Through this study, we tried to explain the concept of the hijab in its legitimate form, as in the first chapter, and openness through pictorial metaphors that embodied diverse rhetorical dimensions that did not undermine the legitimate concepts through the civilization of ancient Iraq, as in the second chapter, and then confirming the study of the sanctity of the hijab and its need, as in the third chapter. One of the results of this study was to stand on the statement of the need for the hijab and its authenticity, and that the civilization of ancient Iraq accompanied the functions of the sanctity of the hijab in a simulated and non-simulated way that found its openness translated towards the concepts of (power, law, protection, positivity, health, goodness, etc.). Recommendations were presented, the most important of which were: It is necessary to intensify such studies that touch on the connections of social reality and its civilizational and legal dimensions, which contributes to the current generation’s understanding of the concept of images of laws of life systems that have become almost present, if not missing, which led to the emergence of distorted pictorial alternatives drifting towards the common collapse. Here lies the importance of the study in serving the community as well as students, researchers, institutions, and specialized cultural and artistic clubs, and answering the following research problem question: What is the rhetorical dimension of the sanctity of the hijab in ancient Iraqi art?.