Abstract

Abstract Donald Trump's tweets on writing, whether his own or the print media's, typically employ an extreme form of rhetoric involving the manipulation of meaning and construction of self-serving arguments. The practice of close reading suggests that these tweets often display several types of rhetorical operation, which distort the message through the amalgamation, expansion, contraction, and reversal of meaning to create expressions like “the Fake News.” These polysemous expressions are then combined to form word groups, all centered on the self but each designed to meet a particular narcissistic need, from self-promotion and self-proclaimed victory to self-defense and self-casting as the Messiah. Trump's tweets often take the form of a triangular configuration, composed of the writer to proclaim, an adversary to be conquered, and a witness to validate the victory. By putting at least two of the three actors into play within its reduced space, the tweet becomes a miniature psychodrama—scripted, cast, and staged by the narcissist for an audience of kindred spirit.

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