Abstract

BackgroundListening to music is amongst the most rewarding experiences for humans. Music has no functional resemblance to other rewarding stimuli, and has no demonstrated biological value, yet individuals continue listening to music for pleasure. It has been suggested that the pleasurable aspects of music listening are related to a change in emotional arousal, although this link has not been directly investigated. In this study, using methods of high temporal sensitivity we investigated whether there is a systematic relationship between dynamic increases in pleasure states and physiological indicators of emotional arousal, including changes in heart rate, respiration, electrodermal activity, body temperature, and blood volume pulse.MethodologyTwenty-six participants listened to self-selected intensely pleasurable music and “neutral” music that was individually selected for them based on low pleasure ratings they provided on other participants' music. The “chills” phenomenon was used to index intensely pleasurable responses to music. During music listening, continuous real-time recordings of subjective pleasure states and simultaneous recordings of sympathetic nervous system activity, an objective measure of emotional arousal, were obtained.Principal Findings Results revealed a strong positive correlation between ratings of pleasure and emotional arousal. Importantly, a dissociation was revealed as individuals who did not experience pleasure also showed no significant increases in emotional arousal.Conclusions/SignificanceThese results have broader implications by demonstrating that strongly felt emotions could be rewarding in themselves in the absence of a physically tangible reward or a specific functional goal.

Highlights

  • Why is music pleasurable? It is a sequence of tones

  • galvanic skin response (GSR) became significantly different from baseline during within-excerpt high pleasure’’ (WE-HP), where it increased by 0.078 uS (s = 0.55) or 22% (p,.01)

  • Post-hoc tests revealed that GSR was higher for the Considered Pleasurable group compared to the Considered Neutral group during all ratings: WE-neutral, within-excerpt low pleasure’’ (WE-LP), WE-HP, and WE-chills (p,.001; Figure 2)

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Summary

Introduction

Why is music pleasurable? It is a sequence of tones. Yet music has been present in every known human culture as far back as history dates. This connection has been substantiated with music stimuli [8,20] It should be noted, that while physiological arousal is a reliable indicator of the ‘‘arousal’’ component of emotions, it is more controversial with respect to detecting the ‘‘valence’’ dimension of emotions. That while physiological arousal is a reliable indicator of the ‘‘arousal’’ component of emotions, it is more controversial with respect to detecting the ‘‘valence’’ dimension of emotions This concern does not present a problem here, as we are only interested in emotions with positive valence. In this study, using methods of high temporal sensitivity we investigated whether there is a systematic relationship between dynamic increases in pleasure states and physiological indicators of emotional arousal, including changes in heart rate, respiration, electrodermal activity, body temperature, and blood volume pulse

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