Abstract
This paper examines the reception of the Passion play tradition in Lucerne in the twentieth century. The scholar, director and playwright Oskar Eberle (1902-1956) was largely responsible for the revival of the Passion Play tradition in Switzerland. His main efforts were associated with his ambition for a general renewal of the Swiss amateur theatre tradition, especially the tradition of sacred plays of medieval Central Switzerland. This study shows how the socio-cultural and political situation in Switzerland changed during the interwar period and how the production conditions for Eberle’s Passion play efforts in 1949 became more difficult.
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