Abstract
Badrasanti literary works are the literary works that have been revitalized into several art performances. From the result of observations, this is influenced by the times that are very enthusiastic about the cultural arts of the archipelago. This research aims to identify and describe the form of Kidung Puji Badrasanti’s show. The research approach that applied in this research is descriptive qualitative. The data collection techniques are conducted in a literature review, observation, interview, and documents study.
 The form of Kidung Puji Badrasanti’s show consists of aspects of composition and aspects of the presentation. The aspects of the composition consist of gendhing and balungan gendhing, rhythm, laya, laras, pathet, dynamics, and musical instruments in their appearance. The rhythm in the song of Puji Badrasanti uses dadi rhythm, laya in the Kidung Puji Badrasanti is nglentreh, laras in the song of Badrasanti’s praise is pelog, pathet that used is pathet lima, dynamics appear as needed. The musical instruments used are kemanak, kendhang ketipung and bem, slenthem, saron, peking, gong, kenong and kethuk. Aspects of the presentation pay attention to the players, the stage, makeup, fashion, lighting, and sound system.
Highlights
Badrasanti is a literary work in Central Java that uses the language of the Ngoko Javanese coastal shaped the song text concatenation which has special metered at the beginning of the process of Islamization of the Java Island of the year 1604 Saka
Observations were made at the 14th cultural activity named setu wagen on May 29, 2019, at the Pakarjawi secretariat, interviews were conducted with two sources in this study, namely the chairman of badrasanti Foundation named Wahyudi Agus Riyanto and the creator of Badrasanti's praise gendhing named Widodo Brotosejati, documentation was carried out by looking at several video archives and photos of the training process and the creative process of revitalizing Badrasanti's literary work seen from the aspect of composition and performance
Badrasanti has a unique paugeran or benchmark that is fundamental to Buddhist philosophy, the benchmark is that in one temple there are two krompols or two parts which are three rows each multiplied by two, in two krompol it shows Hyang Kadharpa or father and mother who are fused in one temple, each krompol consisting of three lines has the meaning of Tri Ratna namely: Buddha, Dharma, Sangha, there are twelve syllables in one line, each line consisting of two pause groups, consisting of four syllables and eight syllables according to (Sabda Badrasanti, 1966: 5)
Summary
Badrasanti is a literary work in Central Java that uses the language of the Ngoko Javanese coastal shaped the song text concatenation which has special metered at the beginning of the process of Islamization of the Java Island of the year 1604 Saka. That book saves the history data of the various aspects of community life on the Java coast. That literature work contains a lot of the teachings of the primacy of life that reeks of Java's Buddha. The description of the teachings on the song text of Badrasanti is separated according to the theme discussed, each theme is discussed in some of the verses of the song (Santibadra, 1966: 10). The existence of literature works Badrasanti never be banned from spreading since the colonial era until the new order era, the prohibition such a charge is the doctrine that contains a lot of controversies that had a different understanding of people's beliefs in general (Santibadra, 1966: 21). Since 2012, literature works began to revolve in the wider community, especially among Buddhists
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