Abstract
The trope of containment forms a persistent undercurrent in dominant discourses of American freedom. This article describes and performs this trope through the intertextual poetics of stories about captivity, focusing on what the author here calls “resonance,” especially between historical American Indian captivity narratives and UFO abduction accounts. Throughout this article, the idea of the uncanny is used as a way to think through various ethnographic and mediated examples of American ambivalence about the legacy of empire and colonization. The author argues that a vernacular theory of power emerges in people’s sense of ongoing parallels between various narratives of containment in America. The writing mimetically performs, as well as interprets, this narrative resonance.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
