Abstract
The objective of this paper is to reconstruct Husserl’s two-pronged approach of sensory givenness. On the one hand, the phenomenological focus on intentional consciousness implies a virulent criticismof the positivistic myth of the sensory given. On the other hand, there is also a positive appeal to sensory givenness in phenomenology, without which phenomenology would not be worthy of its name and would, ultimately, be nothing other than a form of neo-Kantianism. In the context of transcendental genetic phenomenology, Husserl manages to rehabilitate sensory givenness in a reduced, viz. demythologized form. This reconstruction of Husserl’s ambivalent reference to the given can help phenomenology defend itself against some actual trends, which tend to reduce it to phenomenalismor to conceptualism.
Published Version
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