Abstract
The Representational Impulse in Late Beethoven, I: An die ferne Geliebte Author(s): Christopher Reynolds Source: Acta Musicologica, Vol. 60, Fasc. 1 (Jan. - Apr., 1988), pp. 43-61 Published by: International Musicological Society Stable URL: http://www.jstor.org/stable/932699 Accessed: 22-01-2016 05:28 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/932699?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. International Musicological Society is collaborating with JSTOR to digitize, preserve and extend access to Acta Musicologica. http://www.jstor.org This content downloaded from 128.120.194.194 on Fri, 22 Jan 2016 05:28:23 UTC All use subject to JSTOR Terms and Conditions
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