Abstract

During a 2-year period, the depictions of religious figures and their interactions with secular individuals in urban daily life became an integral feature of Turkish soap operas that gained popularity in the world after the 1990s. While previous studies have explored the portrayal of various actors in them in terms of age, gender, socio-economic status, and historical perspectives, there is a lack of analysis regarding the interaction between secular and religious urban representations. This research aims to investigate the differences in everyday cosmopolitan perspectives in terms of spatiality and temporality between the two groups. To examine this, the soap opera Kızılcık Şerbeti (One Love) was analysed. Research has shown that when two groups develop their identities in opposition to one another, it leads to the emergence of different temporal and spatial dimensions within the same urban setting. While it seems unfeasible to reconcile the daily routines of both groups in the same place, age, gender, education, and class make negotiation possible in shared spaces. This draws attention to the intersectional approach rather than the binary positions of identities in the placemaking process. The main contribution of this research is to integrate religion, which has been forgotten in human geography, into geographical and sociological discussions by focusing on an intersectional approach in an urban context.

Full Text
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