Abstract
During the Renaissance, with the rediscovery of the Codex Farnesianus, a new philological and editorial interest in Festus' De verborum significatione arose. Many famous scholars of the 15th and 16th century, inter alios Angelo Poliziano, Aldo Manuzio, Piero Vettori, Antonio Agustin and Joseph Scaliger, studied and published this work, focusing on various aspects of its tradition. A substantial watershed occurred around 1580 when Fulvio Orsini decided to propose a new edition of Festus : from a methodological perspective, this work emerged as a revolutionary text with the potential to modify our perception of its history, sinceit considered the Farnesianus as the central ecdotic element. The aim of this contribution is to retrace the pathway followed by Orsini in arranging his text, considering its complex transmission and showing the impact of its innovations and its controversial literary fortunes.
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