The Reliant (2019) and the rhetoric of necropolitical Christianity

Abstract

ABSTRACT This essay examines the manufactured controversy over the independent Christian film The Reliant (2019), a film advertised as a pro-gun action-adventure. Despite receiving virtually no attention from the political left, the filmmakers’ engaged in a public relations campaign to spotlight the putative opposition to the film as evidence of a broader effort by secular progressives to persecute Christian ideas and values. In this essay, we argue that such manufactured controversies are a rhetorical strategy of contemporary Christian nationalists to construct progressive secularism as a mortal threat to the survival of Christianity. Analyzing the promotional materials and staged events surrounding this film, we illustrate how Christian nationalism increasingly relies on contrived public controversies and faux outrage against its products, policies, and discourses to craft a warped impression that Christians face violent enmity and persecution at every turn. We advance the concept of necropolitical Christianity to name how Christian nationalists mimic forms of state sovereignty premised on the right to kill or maim in the name of collective self-defense. We conclude that manufactured enmity conjures a violent Other who despises and persecutes conservative Christians to bolster the case for more radical measures to ensure the defense and survival of the Christian nation.