Abstract

Considering the material culture in China, cultural beliefs play a vital role in explaining artefacts, and different values can be revealed by linking Chinese characters and artefacts. Using morphemic analysis, we propose a method for deriving a comprehensive understanding of the hidden interconnections between Chinese characters and artefacts. With the help of blending theory, a cognitive semantic model is proposed. Further, a mapping process is conducted in three phases: sensorial composition between the corporeal layer and the ‘visceral level’, behavioural completion between the behaviour layer and the ‘behavioural level’, and intellectual elaboration between the conceptual layer and the ‘reflective level’. Utilising case studies from traditional and modern times, two types of relationships between Chinese ideographs and artefacts are suggested: denotative and connotative. These relations and the ‘cooperative effect’ show the mutual connections between different forms of material culture in China and demonstrate the cultural beliefs embedded in artefacts.

Full Text
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