Abstract
The cleansing of the parish space in the sixteenth century provided opportunities for the laity to state the case for their own sanctity within the spaces formerly occupied by the didactic imagery of the Elect. Pietistic superiority in death, rendered in stone with reference to a popular ideal set forth in the Ars Moriendi elevated the moneyed over the living congregation. This paper compares the emphases of memorials in Gloucestershire, England, with that of selected Ars Moriendi texts in order to comprehend how wealthy patrons farmed themselves as a novel focus for popular adoration and what they hoped to achieve by doing so.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
