Abstract
In 1958, Mahmoud Reda founded the Reda Troupe and put his interpretation of Egyptian folkloric dance on stage. This article analyzes the historical factors that allowed for the Reda Troupe's success and popularity during the Nasser period (1954–1970). Although colonial influences and problematic representational politics are evident in Reda's choreographies, his dances also showcase agency, hybridity, and artistic collaboration. The agency of both Mahmoud Reda and his troupe during the Nasser period was central to the group's artistic success and longevity.
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