Abstract

Abstract While figurative terracottas from Greco-Roman antiquity were brought to light in considerable numbers from sites on the Italian mainland and in Sicily in the seventeenth century, they were consistently overlooked as important and representative examples of classical art. It was only in the later eighteenth century in Sicily that important collections of Greek figurative terracottas were assembled that began to attract the attention of northern Europeans. A demand for these accessible examples of miniature Greek sculpture arose that ultimately contributed to the formation of some of the most important antiquities collections in Europe.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.