Abstract

The rebuilding of the King's Theatre, Haymarket, after its destruction by fire in June 1789 has occasioned virtually no surprise or analysis. Built by Sir John Vanbrugh and opened in 1705, the theater had been London's principal Italian opera house for nearly a century and Michael Novosielski's new theater of 1791 was to remain so until the late 1840s. Hailed at the time as an architectural marvel of a size and

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