Abstract
This is a study of Virginia Woolf's lifelong preoccupation with silence and the barrier between the sayable and the unsayable. Using a wide range of thinkers from Kierkegaard to Kristeva and Derrida, Laurence demonstrates convincingly that Woolf was the first modern woman novelist to practice silence in her writing and that, in so doing, she created a new language of the mind and changed the metaphor of silence from one of absence or oppression to one of presence and strength. It suggests new directions for Woolf criticism.
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