Abstract
Science is the worst nuisance and the greatest calamity of our days. It has made us into robots, into standardized interchangeable parts of an enormous mechanism; it pushes us with a relentless persistence and a terrible acceleration towards new forms of existence; it changes the world around us; it transforms our inner selves with an uncannily thoroughgoing penetration. An ever-increasing speed in communication; accessibility of superficial knowledge and meretricious art; endless opportunities in cheap and mean forms of enjoyment; leisure to do a thousand irrelevant things—these, from the side of human consumption and enjoyment, are the benefits of our modern civilization. Kept down intellectually by journalism; moving and feeling to the rhythm of jazz; united by the world-wide net of broadcasting—modern man has indefinitely to increase his passive receptivity. He has to start with a standardized level of taste and to develop an indefinitely elastic nervous system, all at the cost of originality and spontaneous life. This may be the extreme pessimistic view of ‘progress’, but many of us feel it strongly and see a menace to all real spiritual and artistic values in the aimless drive of modern mechanization.
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