Abstract
This paper explores the ways in which Erna Brodber’s The Rainmaker’s Mistake reshapes the genre of the historical novel to pose philosophical questions of being, and to interrogate the concept of freedom within the matrix of Caribbean emancipatory discourse. This chosen novelistic form examines history as that of human consciousness as well as expands the conception of time as a spiritual category. Brodber’s work poses and responds to philosophical questions regarding black ontology and existence, offering through the intricate and complex plot structure and phenomenological exploration that she deploys in the historical narratives an in-depth treatment of themes of redemption and liberation of the human.
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