Abstract
(Català)Santiago Rusiñol’s 1901 play Llibertat! is known as a harsh critique of Catalan liberalism. Little scholarly attention, however, has been devoted to the racialized nature in which Rusiñol frames his satire. This article will demonstrate that the play uses the rejection of the racialized Other (Jaumet Negre) not only to highlight the hypocrisy of liberal Catalan political rhetoric but also as a way to critique the notion of freedom as a societal ideal. As Josep Maria Mestres’s 2013 mise en scène demonstrates, freedom does exist in Catalonia, but only for some, thus establishing a connection between the racial injustice experienced by Jaumet Negre and the racialized tension that has emerged in contemporary Catalonia as a result of immigration.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
