Abstract
This article examines Andrea Riccio's design of the Della Torre tomb monument in Verona – one of Riccio's major commissions that long merited further study. In this design the artist challenged the modes of contemporary funerary art. Although the absence of Christian iconography and the strict all'antica visual language may appear to break with the decorum of Christian funerary art, I argue that Riccio drew on an overtly Christian design – the tombs of saints. By drawing upon the typology of the tombs of saints, the structure of the Della Torre monument signalled to the viewer the didactic nature of Riccio's narrative programme. Understanding the design of the monument casts greater light on the tomb's programme and the sophisticated nature of Riccio's work.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.