Abstract
All avant-garde literature is in some sense «unreadable»—that is, unintelligible in terms of prevailing norms of intelligibility. Avant-garde fiction aggressively proclaims its transgressions of traditional narrative «logic,» and thus challenges at the same time the reader's belief in his or her sense-making ability; the reader may react to this threat by counter-attacking, dismissing the text as «unreadable.»
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