Abstract
ABSTRACT This article focuses on Queen Mary’s Dolls’ House, designed by Edwin Landseer Lutyens and unveiled to the public in 1924 at the British Empire Exhibition. The Dolls’ House epitomised the characteristics of Britain as a nation and an empire through its English exterior and British world objects within. Marginalised in academic discourses and regarded as a plaything, this article brings the Dolls’ House back to discourses of British material and visual culture as well as Lutyens scholarship. To this end, it analyses how the design and contents of the House encapsulated the British imperial world and materialised Britain’s position in the postwar world.
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