Abstract
Although long maligned, the 1603 first quarto of Shakespeare’s Hamlet (Q1) portrays a strong queen and mother figure in Gertred, specifically in a scene that is unique to this version of the play. While some grant that Gertred may be a more sympathetic character than her counterpart Gertrard in the second quarto (Q2) or Gertrude in the Folio (F), critics generally neglect the Q1-only scene involving her and Horatio, finding it repetitious and dull. This essay’s close reading of this scene shows that Gertred excels at diplomatic intrigue, building strategic alliances through a distinctive politics of motherhood.
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