Abstract

The conceptual vocabulary provided by Philippe Hamon for the analysis of the interrelationships of writing, architecture and the body in the nineteenthcentury novel remains partially capable of accounting for the conjunctions of text, structure and inhabitant as these are present in Beckett's post-war oeuvre. The specific challenges posed by Beckett's late prose, however, require a supplementary critical vocabulary. In this context, Beckett's “Neither” is read as exemplary of the distinctive spatial relations of the late prose.

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