The Prologue to the "Lais" of Marie de France and Medieval Poetics

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Previous articleNext article No AccessThe Prologue to the "Lais" of Marie de France and Medieval PoeticsLeo SpitzerLeo Spitzer Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Modern Philology Volume 41, Number 2Nov., 1943 Article DOIhttps://doi.org/10.1086/388607 Views: 30Total views on this site Citations: 9Citations are reported from Crossref PDF download Crossref reports the following articles citing this article:Catherine Nicolas « Sun parastre ad le chief tolu » : vengeance, jugement et amour dans le lai d’Yonec1, Babel , no.4242 (Dec 2020): 115–132.https://doi.org/10.4000/babel.11443Kate Heslop A Norse Nightingale: The Circulation of Music and Writing in Strengleikar, Viking and Medieval Scandinavia 15 (Jan 2019): 103–126.https://doi.org/10.1484/J.VMS.5.118632Andrey Scheglov , The Mediaeval Journal 7, no.22 ( 2017): 133.https://doi.org/10.1484/J.TMJ.5.117367 윤주옥 Lettre, Love, and Magic in Marie de France’s Les Deus Amanz, The Journal of English Language and Literature 58, no.33 (Jun 2012): 427–446.https://doi.org/10.15794/jell.2012.58.3.004Ashley Lee The Hind Episode in Marie de France’s Guigemar and Medieval Vernacular Poetics, Neophilologus 93, no.22 (May 2008): 191–200.https://doi.org/10.1007/s11061-008-9112-1Tracy Adams “Arte Regendus Amor”: Suffering and Sexuality in Marie De France's Lai De Guigemar, Exemplaria 17, no.22 (Jul 2013): 285–315.https://doi.org/10.1179/exm.2005.17.2.285Sunhee Kim Gertz Metarhetorical Texturing in Medieval Prologues, Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 64, no.44 (Aug 2017): 591–603.https://doi.org/10.1007/BF03396187Michelle A. Freeman Marie de France's Poetics of Silence: The Implications for a Feminine Translatio, PMLA/Publications of the Modern Language Association of America 99, no.55 (Feb 2021): 860–883.https://doi.org/10.2307/462141Antonín Hrubý Hartmann als artifex, philosophus und praeceptor der Gesellschaft, (Jan 1979): 254–275.https://doi.org/10.1007/978-3-476-03123-5_9