Abstract
The death of J.C. Bach on 1 January 1782 coincided with a number of changes in London's concert life. The principal subscription series, the Bach-Abel concerts, had been losing support for a number of years; and though Abel continued with the concerts in 1782, there was scope for a new initiative. Such an initiative was provided by Lord Abingdon with an ambitious reorganization of the concerts in 1783, to be succeeded in 1785 by the musicians’ own undertaking, styled the Professional Concert.
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