Abstract
The article analyzes the content of the concept of «spiritual creation» and its constituent elements «spirit», «creation»; the means of verbal representation of the studied concept in revealing the content of texts and images of characters in the poetic cycle «Night concerts» are analyzed; the specific in the process of revealing the role of musicians and their works in the life of society, the influence of music on the listener, on the formation of personality are determined; the peculiarity of the poet’s «translation» of the language of music into words are defined.
 It is emphasized that music is not just a melody for M. Bazhan, it is the truth of feelings, that is why the artist translated it into the language of visible images. A careful reading of the content of M. Bazhan’s «Night concerts» allows us to single out the semantic load of the concept «Spirit»: Spirit of artist; Spirit of music; Spirit of the word (voice); Spirit of the city; Spirit of victory; Spirit-Soul; Spirit of love, and «creation» – as creativity that goes beyond human existence.
 In each poem that makes up the cycle «Night concerts», we see a personality of the Composer-Creator: E. Villa-Lobos, M. Leontovych, L. Hrabovskyi, Ya. Sibelius, F. Schubert, D. Shostakovych and singer Edith Piaf, who is also a creative person. As composers, whose personalities and destinies are revealed in the works of the artist, the Poet himself becomes a kind of a translator of the sounds of music into the sounds of poetry. M. Bazhan pays special attention to the character of Edith Piaf, whose songs became a symbol of Paris, its freedom, and the singer’s talent raised her above the crowd, even above the city roofs, in the poet’s vision she is a «midnight soothsayer», «pure prophetess» in whose character Virgin Mother is visible.
 In «Night concerts» the artist is not limited to the sound aspect of the musicians’ work. He attaches great importance to the features of the performer and composer. Because it is their inner strength, their Spirit is embodied in the works. Reading the poems that make up this cycle of poetry acquaints us not only with creativity, but also with the fate of composers and performers.
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