The Priest as Artist

Abstract

It is 1429 and in the Chateau of Vaucouleurs, Joan of Arc is being interrogated by the menacing Robert de Baudricourt. Joan claims to hear heavenly voices telling her to raise the siege at Orleans: de Baudricourt: How do you mean? voices?Joan: I hear voices telling me what to do. They come from God.de Baudricourt: They come from your imagination.Joan: Of course, that is how the messages of God come to us.Joan claims to say something not only about herself but about the way God communicates to human beings in general. If this is true then it has a lot to say about the role of the imagination in discoursing about God. But, you will object, is this not the role of theology?It seems a truism to say it, but professional theologians are not the only kinds of people who discourse about God; there are others who theologise in an indirect way—but sometimes just as effectively. Among these must be counted authors from the literary world who, either implicitly or explicitly, through the medium of the novel, short story or poem, mediate aspects of the religious sensibility in human experience. In their work we can discern signs of anonymous theology? Random examples may include C. S. Lewis’s Chronicles of Narnia, Tolkien’s Lord of the Rings, Dostoevsky’s Crime and Punishment, Evelyn Waugh’s Brideshead Revisited, Graham Greene’s The Heart of the Matter, Brian Moore’s The Colour of Blood, Morris West’s The Devil’s Advocate, Rachel Cusk’s Saving Agnes. In these works as in many others one can detect a sifting through the debris of human experience and a concern to view it through the prism of an implicit faith in God.