The Preservation of the Terbang Papat Music at Ash-Shiddiqin Musalla in Kudus Regency

Udi Utomo,Mylza Nova Ryandana,Totok Sumaryanto Florentinus

doi:10.15294/catharsis.v9i3.45272

Abstract

Terbang Papat is a typical traditional art from Kudus, the name of Terbang Papat was taken from the instruments of Terbang in the amount of four and used one Jidor. The art of Terbang Papat, now is starting to fade because it has been replaced by the times. This study aims to provide a preservation overview of the Terbang Papat art form in Kudus. The study was conducted by using a qualitative analysis research method with the research location in the Kedungdowo Kaliwungu village, Kudus Regency. The data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The result of preserving the Terbang Papat music is from musical elements namely the time element and the characteristics of the accompanying instruments.

Highlights

Rebana is the result of acculturation of Javanese culture and Arabic culture, Rebana is a traditional musical art created since the Walisongo era, which was previously used as a da’wah medium, Rebana was estimated developed in the Javanese Pantura around the XVI century until now (Sinaga, 2002: 4)
This study aims to provide a preservation overview of the Terbang Papat art form in Kudus
This is in line with Relianto's (2015) statement who states that the art of Terbang Papat in Kudus is almost extinct, due to the lack of public appreciation for regional arts, Based on this reason there were several groups observing traditional arts in Kudus, so a Forum namely Forum Komunikasi Terbang Papat ((FKTP (Communication Forum of Terbang Papat)) was formed

Summary

Introduction

Rebana is the result of acculturation of Javanese culture and Arabic culture, Rebana is a traditional musical art created since the Walisongo era, which was previously used as a da’wah medium, Rebana was estimated developed in the Javanese Pantura around the XVI century until now (Sinaga, 2002: 4). In the Pantura/ Coastal areas of Central Java, namely Kudus, Pati, Jepara, Demak, and Rembang, the art of rebana is often called Terbang. The art of Terbang or Rebana based on the times and innovations in Java is very diverse, has many types, and appearances. The art of Terbang Papat is starting to fade because it has been replaced by the times. This is in line with Relianto's (2015) statement who states that the art of Terbang Papat in Kudus is almost extinct, due to the lack of public appreciation for regional arts, Based on this reason there were several groups observing traditional arts in Kudus, so a Forum namely Forum Komunikasi Terbang Papat ((FKTP (Communication Forum of Terbang Papat)) was formed

Objectives

Results

Conclusion