The presence of Mies

Abstract

Presence of is an interdisciplinary collection of essays that reconsiders work of Ludwig Mies van der Rohe, putting forth new ways of thinking about his work and new possibilities for extending its influence into contemporary architecture and cultural theory.The work of Ludwig Mies van der Rohe, one of this century's most important architects, has alternately been revered and reviled.The diverse outlook of contributors produces a stimulating array of perspectives that consider multiple resonances of Mies's work in relation to technology, image culture, philosophy, art, and education. Editor Detlef Mertins and president and director of Canadian Centre for Architecture, Phyllis Lambert, reconsider aspects of Mies's research and practice. Fritz Neumeyer, whose book on Mies's writings, Artless Word is a point of reference for many Mies scholars, and Sanford Kwinter both address architecture's relationship to technology; Dan Hoffman and Ben Nicholson discuss pedagogical ambitions and work of their design studios, at Cranbrook Academy of Art and Illinois Institute of Technology, respectively, where they have extended and transformed aspects of Mies's architecture and teaching. Rosalind Krauss and Ignasi de Sol-Morales Rubi stake out opposed interpretations of Minimalism and Mies. Rebecca Comay and George Baird both test-drive Mies through philosophies of Martin Heidegger and Hannah Arendt. Brian Boigon and Beatriz Colomina address Mies in relation to the culture of images, while K. Michael Hays proposes new interpretations of Mies's abstraction. Presence of also includes over 120 black and white illustrations of master's buildings.These essays result from a symposium organized by University of Toronto School of Architecture and Landscape Architecture marking 25th Anniversary of a monolithic Miesian edifice, The Toronto-Dominion Centre, designed by Mies van der Rohe in 1963 (called by Philip Johnson the biggest Mies in world).