The practice of Hausa traditional architecture: Towards conservation and restoration of spatial morphology and techniques

Abstract

Abstract Conservation and preservation ideology was first developed in the 20th century, based on an early theory of who believed it was important not only to define the history of the building but to return it to its original character. In other words, the architect should determine the possibility and period of greatest perfection of a building or monument. This study aims at conservation, preservation, and restoration of Hausa traditional architecture by highlighting the spatial morphology and techniques from village to town, the reason for formation, the subdivision, and development of the compound structure associated with its sowing concepts and layouts. For this study, a review approach and descriptive research method were employed. However, the reviewed literature was used to identify the spatial morphology and techniques of Hausa traditional architecture, which was examined in the context of conservation and restoration. The study showcased the concept of the triple spaces (inner core, central core, outer core) in compound family houses, which is synonymous with the concept of town (“Kauye”, “Gari” and “Birni”) or cities (“Ciki”, “Tsakiya” and “Wajen Gari”) surrounded by a compound wall, entrance and city wall with entrance gate. It also further unveil the relevance and use of “Tubali”, “Azara”, “Asabari”, from sub-structure to super-structures, as well as interior form, motifs and decoration (“Makuba” and “Zankwaye”) as reported by researchers for appreciation, conservation and restoration of Hausa traditional residential settlements for the present and future generation.