THE PRACTICE OF BIRD HUNTING IN THE AEGEAN OF THE SECOND MILLENNIUM BC: AN INVESTIGATION

Abstract

Among the hunting scenes that the Aegean iconography of the second millennium bc offers us, representations related to bird hunting seem to be absent. Newer information has emerged, however, from the restoration of the frescoes from Xeste 3 in the Late Cycladic I / Late Minoan IA settlement of Akrotiri on Thera. On the first floor of Xeste 3, a community sanctuary whose function has been connected with initiation rites, the Great Goddess of Nature (the Potnia) was depicted appearing among young crocus gatherers, possibly during a religious festival related to the regeneration of nature. Two pairs of mature women with sumptuous dress and elaborate jewellery, carrying lilies, wild roses and crocuses as offerings to the Goddess, were rendered on the walls of a corridor that led into the room where the seated Potnia is located. Among the women in the corridor is one holding a sheaf of white lilies and bearing a net pattern with small blue birds on her upper arms. The net has been viewed as a bodice with embroidered miniature swallows. However, specific details of the net pattern indicate the depiction of a real net with captured small, possibly migratory, birds, to be offered to the Potnia. The subject of trapping birds with a net perhaps refers to a ritual act that would have taken place during an autumn or spring festival, given that the trapping of migratory birds takes place during these two transitional seasons. The particular importance and symbolic value of the subject, which enriches the Aegean sacred iconography, is also suggested by the representation of a net with a captured bird on a Late Minoan IB sealing from Agia Triada, which comes from the bezel of a signet ring, apparently made of gold, as well as the rendering of what is possibly a net on the back of a Late Minoan IIIA2 clay male figurine holding a bird, found on the bench in the Shrine of the Double Axes in Knossos.