Abstract
The close-up of the face in Spielberg's films becomes the director's unique authorial signature, which has a strong cinematic impact, so why do Spielberg's faces stimulate an affective experience in the audience? The affective mechanism of Spielberg's face is divided into three levels: stimulation of affective experience, role identity, and ethical responsibility, from mild concern to the viewer's empathy for the face of the other, which eventually becomes the basis for moral perception, in addition to the fact that the face of the other reverses the viewing pattern of the subject-object relationship.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
