Abstract

This paper elaborates a general theory of scenes as multi-dimensional complexes of meaning embedded in material, local practices. It outlines techniques for measuring scenes empirically and shows how certain types of scenes provide environments in which new social movement (NSM) organizations (like human rights and environmental groups) tend to thrive. However universal and cosmopolitan the content of NSM goals, they appear to get much of their energy and support from the qualities that inhere in concrete local contexts.

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