Abstract
This interpretation of Percival Everett's novel Frenzy focuses on the author's rewriting of the myth of Dionysus and other Greek myths referenced in the text, as it is through the revisions of classical versions of the myths that Everett expresses his social criticism. In order to understand the character of the main protagonist Dionysos, the article also discusses Everett's appropriation of The Bacchae by Euripides, in particular of the English translation by C.K. Williams as well as the author's drawing on the Nietzschean concepts of the Dionysian and the Apollonian. Finally, the analysis of major literary devices (narrative structure, first-person narrator, leitmotif of seeing, elements of humor) reveals various strategies Everett uses to incline readers to grapple with the severe critique of patriarchy and capitalism he offers.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.