The Power of Laughter: A Study of the Comedies of Badal Sircar

Abstract

Comedy, unlike tragedy, is often overlooked as a lower form of art and less important. But comedy plays crucial role in entertaining as well as making people aware of real-life issues. Badal Sircar (1925-2011) is a widely recognized playwright of post-independence Indian theatre. While there is much scholastic focus and discussion on his absurd dramas and Third Theatre plays, his comedies have been mostly overlooked and have rarely drawn critical attention. By filling this gap in existing literature, the present research establishes the significance and value of Sircar’s comedies. It analyses situational pure comedies as well as black comedies from both the proscenium and the non-proscenium phases, namely Solution X, Boro Pisima, Shanibar, Ram Shyam Jadu, Ballabhpurer Rupkatha, Kabikahini, Bichitranushthan, Jadi Ar Ekbar, Abu Hossain, Hattamalar Oparey, Bagalacharit-manas, and Khat Mat Kring. While giving relief to the daily routines of the audience, Sircar presents serious matters in non-serious ways that simultaneously compel them to think about the surrounding worlds and grave issues (capitalist exploitation, corrupt politicians and hypocritical nature of political parties, dowry deaths, nuclear holocaust, unemployment, middle class aspirations and frustration in life, Brahmans-Dalits conflict, social changes, etc.). The study asserts that comedy cannot be merely dismissed as a non-serious art having no social purpose, but it can prove itself to be a powerful tool in raising socio-political awareness.