Abstract

Postmodern aesthetics, as a product of postmodern culture, shows resistance to traditional aesthetic values, subverts the cognitive logic of rational and absolute concepts, and has a profound impact on contemporary films. Swedish director Roy Andersson's representative work, "A Pigeon Sat on a Branch Reflecting on Existence", embodies obvious post-modern aesthetic features. Its images attempt to subvert traditional authority, the narrative is broken, the audience interacts with the depth of field lens, and the interpretation is returned to the audience. The highly copied characters and scenes show the absurdity of contemporary people's existence and the desolation of spirit and issue sharp satire to the post-modern society, Presenting a profound philosophical reflection.

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