Abstract
The materials used in ancient calligraphy and painting, such as silk and paper, are susceptible to damage and aging. The practice of creating copies through meticulous imitation has been employed by ancient individuals to extend the lifespan of precious cultural artifacts. Reproductions continue to serve as an effective means of dissemination in museums, imparting functions such as appreciation and educational value to society. The replication of cultural artifacts extends beyond calligraphy and painting to include items like bronze ware, lacquerware, and ceramics, giving rise to activities such as collecting, buying, and selling replicas. As ancient calligraphy and painting reproductions proliferate in a rapidly evolving society, they have become favored by enthusiasts and cater to the needs of the wider public. This paper aims to explore the positioning and development of reproductions of ancient Chinese calligraphy and painting in the context of social development.
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