Abstract

This paper focuses on the idea of exemplarity outlined by the Italian critical theorist Alessandro Ferrara that forms part of his general case for the centrality of disclosure to emancipatory political reasoning. Ferrara argues that “at its best” political thought should have the capacity to animate the democratic imagination by disclosing new political worlds and hence new possibilities for thought and action. I argue that Ferrara’s notion of exemplarity provides important conceptual resources for a re-grounding of critical theory in the type of experientially based disclosing critique that has, post Habermas, been marginalized. Ferrara’s work is significant in two respects. First, exemplary universalism provides a much-needed alternative to the assimilative paradigms of normative reasoning that dominate contemporary political theory. Exemplary normativity suggests a mode of reasoning from concrete particularity that is more inclusive than principle-based approaches of voices which, by virtue of their marginal or disempowered status, are often absent from democratic deliberation. Second, Ferrara shows us how, contra Habermas, far from being an unstable process of meaning creation, exemplary disclosure has a systematic internal rationale that renders it open to inter-subjective validation. I contend, however, that the critical promise of the idea of exemplarity is unfulfilled because of its grounding in the speculative construct of sensus communis defined as a set of trans-cultural intuitions about human flourishing. This socially deracinated abstraction blocks an adequate understanding of the asymmetrical relations of power around which social difference is always constructed. Ultimately, Ferrara is unable to demonstrate how exemplarity does in fact disclose new political worlds and new possibilities for thought so much as confirm established liberal norms. Drawing on critical race theory, I propose a re-politicized understanding of exemplarity that locates its disclosing force in the actual dynamics of struggles against oppression rather than in a socially weightless abstraction.

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