Abstract
Abstract This essay discusses the politics of death in Nnedi Okorafor’s early novels, Who Fears Death and The Book of Phoenix, not least because both novels are linked and underscore the writer’s commitments to necropolitics. Both novels also highlight death worlds founded on genocides and the eradication of minoritized and racialized bodies. I show that Okorafor’s artistic commitments in both works are organized around a critique of the necropolitical conditions of past and contemporary imperial world orders. At the heart of this critique is the Black woman, whom Okorafor positions at the crucial interfaces of alternative future worlds founded on visions of martyrdom and renewal/transfiguration as necessary in the struggle against necropower.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
