Abstract
ABSTRACT British actress, Sarah Mayer’s light and racy attitude to the bathing arrangements after judo training sessions in Japan in the 1930s belies a dangerous and volatile time in Anglo-Japanese relations. This paper seeks to demonstrate that her pioneering achievement as the first western woman to be awarded a black belt in Japan, was part of the political machinations of the day. As Japan campaigned for the 1940 Tokyo Olympic Games, the use of Mayer’s image and persona to promote not only nationalism, but internationalism and modernity, was related to a rift forming in the League of Nations. Mayer’s story shows the use of sport as a political tool. Originally developed as part of a wider doctoral thesis on the contribution of Mayer to the history of judo, and using mainly primary source research, this article charts Mayer’s life leading up to and following her time in Japan, detailing how her position in society and her work as an actress and theatre entrepreneur impacted on the development of women in judo. Understanding the history of women in judo is integral to an understanding of the sport itself and this paper hopes to contribute to the scant literature in the field.
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