The Poetics of Detachment in Medieval Ka-vya: Anthologies and the Path of Literary Sanskrit in the Second Millennium

Abstract

This essay explores the dialectic of form, content and social life in the new poetry of the medieval Sanskrit anthologies. Did the seeming anarchy of content evinced in unfamiliar tables of contents produce genuine newness of aesthetic effect or affect, new possibilities for social value judgement—a critical and self-critical perspective—in response to changing sociopolitical conditions and the rise of the vernacular? Or else did this poetry simply do what it always did best: to be everything for everyone at the royal court, everywhere and nowhere? This article argues that the anthology may have spawned a contradictory dynamic: crafting a new sociological immediacy for the form, and yet reconciling the courtly ka-vya tradition to a future in which it no longer figured so centrally. Finally, in a methodological annex, the aforementioned case study spawns higher-order reflections on the mutual determination of art and social life in early medieval South Asia, and the materialist analysis of premodern cultural form. Thinking through premodern sociocultural change from the point of view of capitalist modernity fundamentally challenges the historical imagination, revealing self-reflexivity as both its first and last resort.