The Poeta-Theologus from Mussato to Landino

Abstract

Fundamental to the modern conception of historical perspective was the position that nature had its own integrity and that a common human nature underlay human action in history. The first tenet was an achievement of the Scholastics, the second of Italian humanists of the fourteenth century. In order to justify the reading of ancient pagan texts an early humanist Albertino Mussato (1261–1329) had resorted to the late ancient and medieval tradition that the pagan poets had been divinely inspired to predict the coming of Christ and a number of other revealed truths. Subsequently, however, Petrarch (1304–74), Boccaccio (1310–75), and Salutati (1332–1406) argued that if poetic genius was a divine gift to individuals, poetic creation was a product of human effort. The consequent desanctification of the ancient writers allowed them to be approached as historical human beings. Nevertheless, the new enthusiasm for Plato beginning with Bruni (1370–1444) initiated a retreat from this position and a return to the medieval confusion between the world of grace and the world of nature. By the second half of the fifteenth century, Plato’s “divine madness of the poets” was being interpreted to mean that the ancient poets had been divinely inspired to utter Christian truths.