Abstract

This research article discusses developments in contemporary Anglophone Singapore poetry where a proliferation of writers' groups and literary initiatives has led to efforts to define a localized Anglophone poetic tradition. Focusing on the debut collections of two young poets, Joshua Ip and Hamid Roslan, we argue that the presence of Singlish in their work functions as a site of hermeneutical openness that challenges a neocolonial articulation of Singaporean cultural formations centered on ideologies of standardized English usage, which have homogenized ethnic identities and supported a narrative of national progress. This article theorizes the heteroglossic potentialities of the intersubjective lifeworld found in Ip's and Hamid's poetics by discussing how they eschew any naturalized relationship between language as a semiotic system and sociohistorical being, in favor of a renewed query into Anglophone writing as an accumulation of asymmetrical and uneasy cultural relations.

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