Abstract

This chapter investigates the third emerging business model of the music industry during the past ten years when China entered the social media era, embracing an unprecedented online platform economy. A significant change in the music industry is manifested by the business model shift from music as artefact and information to music as services. This chapter continues to address the research question on business model innovation in a shifting industry landscape and changing policy environment. It first sets the stage for the discussion of the platform ecosystem model in the Chinese music industry by outlining the theories used and copyright law developments in previous chapters before moving on to detailed analyses of recent case studies.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.