Abstract

With few female models or mentors to guide them, women composers of the older generation became pioneers, breaking new ground for women in music largely due to their own drive and perseverance. Undaunted by difficulties encountered in obtaining recognition, each has found her own voice and has achieved distinction for that individuality. Some distinguished names from this generation of composers are Ruth Schonthal, Louise Talma, Marga Richter, Miriam Gideon, Alice Parker, Dika Newlin, and Radie Britain. This article also singles out for more extensive commentary Ursula Mamlok and Jean Eichelberger Ivey. Their achievements and the recognition they have received can be counted in performances of their works, faculty positions at prestigious universities, grants and commissions. The women named in this study have contributed greatly to building a foundation for the work of younger women in music.

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