The Pineapple and the Worms

Abstract

This article examines how the reception history of Maria Sibylla Merian’s oeuvre may shed light on the role of medicine in interpreting art around 1700. The focus is on Merian’s iconic images of the pineapple, a fruit that many considered a potential source of disease. The years when Merian was active saw the eruption of debates over the origins of intestinal worms and the possible role of sweet fruits as carriers of the invisible eggs of these parasites. The key figures in these helminthological debates were also the interlocutors and collectors of Merian, including the physicians Richard Mead and Hans Sloane. A study of the writings of these medical professionals reveals that, for Europeans in this period, exotic fruits indicated not only the bountiful productivity of tropical nature but also its inherent dangers. Using this case study, this article therefore argues that dietetics and medicine played a key role in the interpretation of art in the seventeenth and eighteenth centuries when physicians had a strong presence in the world of collecting works of art.