Abstract

My text from The Author's Apology suggests two reasons for the extraordinary popularity that The Pilgrim's Progress enjoyed for more than two centuries. First, despite its adherence to a rather harsh doctrine of double predestination, which divides the world into the saved and the damned, it is essentially a work of reconciliation, demonstrating the fundamental compatibility of ancient paradigms (“Gospelstrains”) and modern experience (“Novelty”). Second, it invites, even necessitates, the active engagement of its readers, who will enlist their knowledge of the Bible to recognize the “sound and honest Gospel-strains” beneath or behind or within what seems a novel. But that Bunyan felt somewhat ambivalent about this achievement is indicated here, I think, by his choice of the word “seems” to characterize the surface of his book. This ambivalence derives from the author's position midway between the hermeneutical procedures of his chief precursor, Martin Luther, and those of the radical Protestants with whom he had come in contact from the time that he experienced his conversion.

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